Showing posts with label technique. Show all posts
Showing posts with label technique. Show all posts

Tuesday, August 20, 2013

Oh, The Sunlight in Your Hair!

There is something so simple and beautiful about the sun painting a radiant glow along the edge of flowing locks of hair. This is something that can be so beautifully captured as the sun begins to set. It is the perfect kiss of color of nature’s purest highlights that can turn an ordinary portrait into a brilliant result. You can literally watch the sun work it’s magic to breathe life into the frozen frame of a portrait.

This technique of hair lighting works with any color hair, but with lighter shades, it is often most striking. For these casual senior portraits, the location was the side of the road, yet you can see how the sun against the dark green palette illuminates, Kylie in her photos.

We later moved to a brighter location away from the trees to allow some brighter light to shine down. And for these shots, I really wanted to showcase her long beautiful hair so I asked her to turn away from the camera and tilt her head up. Then I asked her to bunch up her hair and play with it. These shots were a mix of dramatic and playful images...and ones that became our mutual favorites from the evening photo session.



























































































Photo Tip: When you feel like you are running out of ideas and poses to try. Ask your model to touch or play with her hair. Since it is ultimately attached to the person, there becomes some type of emotional attachment that unveils itself before the camera. It also helps to loosen up their hands and get them more comfortable with posing. Depending upon their hairstyle, you might want to introduce a clip, a headband, a hat or some other prop. Try this out at your next shoot and share with me your results!

Wednesday, May 23, 2012

In Search of Dolphins

We arrived in Florida in 2004, oh yes, that dreaded year of multiple hurricanes! It was a very memorable one, and like most newcomers, we were thinking that we would be seeing dolphins and gators fairly regularly. The reality is that you are more likely to spot a University of Florida gator before ever seeing a real one, and as for dolphins, the tail goes like this...

We were renting a home beachside near the Eau Gallie causeway so for the first month, the girls and I would randomly drive up by the causeway, park and stand by the Indian River in hopes of spotting some dolpins. We went on the pier behind the library and waited...and waited. We scoured the water from above each time we drove over the causeway (the bridge connecting mainland to beachside), with no real luck. So we finally brought daddy along and discovered Mather's Bridge (a crossing for cars and people connecting Indian Harbor Beach with the southern tip of Merritt Island.) It was here that we had our first, exciting dolphin siting...two dolphins feeding and playing by the bridge. The girls were around 9 & 11 at the time and super excited to see dolphins this close. Finally, it felt like we lived in Florida!

Two years later, we got to experience one even closer doing the Swim with the Dolphins experience at Discovery Cove, something Ashley will never forget about turning 13. Charlotte was our dolphin, a very dominant female who wasn't exactly the cuddly type, however we got to kiss her, touch her, and hang onto her fin and go for a very fast swim through the water. Dolphins are so muscular and full of power. My sister and I posed for a funny photo trying to lift the dolphin, or at least pretend to. Good things our lives didn't depend on it because even in water, they are extremely heavy!

Today’s card reminded me of these fun dolphin experiences. I used an swirly embossing template on my cardstock, inked a sponge and rubbed it over the surface to bring out the texture more in random spots. In wanting to create a colorful layer, I chose to emboss the retired SU dolphin stamp in silver and use blender pens and markers to create the faux watercolor effect.

Try out some of these techniques when creating your next card:
• Rub ink over embossing to really make the texture stand out
• Use gold or silver heat embossing to contain the colors when using actual watercolors
• Create a faux watercolor effect using markers and blender pens*

*To accomplish soft, subtle colors, rub a brush end of a marker onto a slick surface such as plastic packaging or a piece of acetate. Use a blender pen (marker with brush tip) to pick up some of the color and brush it onto your stamped image. You can use a piece of scrap paper to test color first or to color on and lighten your color before applying to stamped image.

Thursday, September 30, 2010

Birthday Bliss By the Sea

With all the recent tropical storms, the ocean has been a bit choppy and at times a surfer’s paradise. It reminded me of this recent birthday card I created using a color palette of two bright colors mixed with a neutral. The beige tone ink is Sahara Sand, the polka dot 5/8" grograin is from Bo Bunny’s Double Dot collection. The color is coffee. The blue ink is Pacifi Point and I used the stamping off technique to get lighter waves in back. The red ink is Poppy Parade and the two stamp sets are Just Surf and Birthday Bliss. All inks and Stamps are from Stampin’ Up!®. The red patterned paper is from Cosmo Cricket’s Garden Variety collection. It is the opposite side of Tossed Salad Cardstock sheet. The Royal Blue cardstock is from The Paper Company. I used dimensional adhesive foam and the Glue Glider Pro with high tac adhesive from Glue Arts.

Technique Spotlight:
Stamping off - create lighter shades from a colored ink by stamping image onto pad, then stamping onto a scrap sheet before stamping on project. For even lighter shades, you can stamp multiple times on scrap sheet before stamping on paper.
Dragging - to make a cardstock layer pop out without matting in a contrasting cardstock, simply drag the edges of your cardstock over an ink pad to frame it and make it stand out.
Sponging - use a sponge stamped into ink to apply light shading to cardstock or to drag around paper edges for a soft framed effect.